Library
Last-Day Tokens
Pacific Press Publishing Company · Oakland, Cal.; Twelfth and Castro Streets, Oakland, California · 1904
- Pages
- 168
- Illustrations
- 30
Contents
- PREFACE.1
- INTRODUCTION.9
- CHAPTER I.13
- THE SECOND ADVENT.13
- NOT A FABLE.13
- VISION OF THE KINGDOM.14
- LIGHT IN THE DARKNESS.15
- COMING AS A THIEF.16
- CHAPTER II.2
- THE DAY OF THE LORD COMETH.2
- WONDERS IN THE HEAVENS19
- INCREASE MATHER’S TESTIMONY.22
- J. B. FELT’S TESTIMONY.23
- TESTIMONY OF WILLARD’S HISTORY.23
- AURORA IN 1789.24
- AURORA OF JAN. 25, 1837.25
- AURORA IN LONDON, 1839.26
- AURORA OF NOV. 14, 1837.31
- CHAPTER III.32
- THE JUDGMENT MESSAGE.32
- THE SANCTUARY.33
- CLEANSING OF THE SANCTUARY.34
- STANDING IN THE LOT.37
- TIME SEALED UP.38
- “THE TIME OF THE END.”40
- KNOWLEDGE INCREASED.41
- CHAPTER IV.45
- THE LAST GENERATION.45
- PARABLE OF THE FIG TREE.49
- LEARNING THE PARABLE.50
- CHAPTER V.56
- **LAST-DAY TOKENS.**56
- BERLIN WONDER OF 1829.61
- A BAND OF LIGHT.61
- FIERY SERPENT IN THE SKY.62
- A SERPENT IN THE SKY,66
- G.66
- O,66
- D.67
- A SWORD AND CROWN.67
- SIGN IN THE SUN IN ENGLAND.68
- SIGN IN THE SUN IN AMERICA, 1844.73
- GOD’S POWER PRODUCES THE WONDERS.74
- WONDERFUL SUN RINGS.79
- OTHER WONDERFUL SUN RINGS.80
- RAINBOW CIRCLES ON THE SUN.85
- RAINBOW RINGS. EXTRA SUNS.86
- A SIGHT WITNESSED AT ACOTLAN, MEXICO.91
- AN EVENING SUN AND SEVEN STARS.92
- FOUR EXTRA SUNS. RAINBOW-COLORED ARCS AND CIRCLES.92
- A GREAT BATTLE IN THE SKY.98
- BY HENRY SHULTZ.98
- CHAPTER VI.107
- **OTHER WONDERS WITNESSED.**107
- OTHER SIGNS IN THE MOON.108
- CROSS IN THE MOON.111
- IMAGE ON THE MOON.111
- THREE RAINBOW RINGS AROUND THE MOON.116
- CROSS IN MOON. TWO EXTRA MOONS.119
- A FIERY MOON.120
- A BAND OF LIGHT.121
- CROSS AND RAINBOW ARCS.122
- A YEAR OF WONDERS.125
- A FULL MOON IN FOUR QUARTERS, EACH A DIFFERENT COLOR.126
- A RED CROSS AND INITIAL LETTERS.129
- WONDER SEEN IN SOUTH DAKOTA, 1897.129
- TWO CIRCLES AND A GRECIAN CROSS.130
- CIRCLES AROUND THE MOON.136
- A FLAMING SWORD.137
- FOUR EXTRA SUNS AND AN INVERTED RAINBOW.138
- A REMARKABLE PHENOMENON.142
- BY M. C. WILCOX.142
- CHAPTER VII.147
- LOUD VOICE OF THE TIME MESSAGE.147
- THE ANGEL A SYMBOL.148
- SOUNDING OF THE SEVENTH TRUMPET.149
- THE FIFTH TRUMPET150
- CLOSE OF THE SIXTH TRUMPET.151
- CLOSE OF TURKISH INDEPENDENCE.152
- WILLIAM MILLER’S WORK PRIOR TO 1840.153
- LABOR AMONG THE CHURCHES.156
- SECOND CALL TO THE SUPPER.157
- TWO CLASSES OF SERVANTS.158
- MODERN CHURCH FESTIVALS.159
- SMITING FELLOW SERVANTS.160
- SECOND ANGEL’S MESSAGE.[^15]162
- SEPARATION ADVISED.163
- STORRS’ SIX SERMONS. NATURE OF MAN.163
- CHAPTER VIII.165
- PARABLE OF THE TEN VIRGINS.165
- TARRYING TIME.166
- SLUMBERING OF THE VIRGINS.167
- MIDNIGHT CRY168
- THE TARRYING NIGHT.169
- TERMINATION OF THE TWENTY-THREE HUNDRED DAYS.170
- GO YE OUT TO MEET HIM.171
- POWER OF THE MIDNIGHT CRY.172
- BUY FOR YOURSELVES.173
- COMING OF THE BRIDEGROOM.174
- HIGH PRIEST IN THE SANCTUARY.175
- MEASURE THE TEMPLE.176
- CHAPTER IX.179
- THE “LITTLE BOOK” AND THE TALENTS.179
- THE SWEET AND BITTER BOOK.180
- BITTER DISAPPOINTMENT.181
- LIKE THE DISAPPOINTED DISCIPLES.183
- THE PHILADELPHIA CHURCH.184
- FOOLISH VIRGINS AND TIME-SETTERS.185
- PARABLE OF THE TALENTS.187
- CHAPTER X.191
- THE THIRD MESSAGE, AND LAST CALL.191
- SUMMARY.191
- THE LORD’S MESSAGE.195
- BATTLE OF THE GREAT DAY197
- PUBLISHING A PAPER.198
- THE WINDS HELD.199
- GROWTH OF THE MESSAGE.200
Illustrations
A dark rural homestead stands beneath a dramatic reddish-orange sky streaked with numerous pale, radiating lines converging near a darkened spot overhead, suggesting intense rain or a meteorological phenomenon. The two-story wooden house has a steep gabled front, lit windows, a chimney, and a long single-story porch or extension. Trees and shrubs frame the property, while a small covered structure stands near the fence. In the foreground, several ducks or geese walk across a wet road, their reflections visible in puddles, with wooden fences running along the roadside.
An abstract, vertically arranged composition on a pale background. Along the upper portion are three yellow circular discs, each surrounded by numerous fine white radiating lines like stylized rays; the central disc is larger than the two flanking discs. Beneath them is a large white or cream cross-shaped form with a tall vertical stem and broad horizontal arms. Near the bottom are two separate red, organic-looking wavy shapes: the upper one is a long undulating strip stretching across the image, while the lower one forms a broad curved loop with a tapered, raised end.
A symmetrical display of three tall red vertical bars occupies the upper half, while the lower half shows three hanging medal ribbons or bars. The two outer ribbons contain narrow vertical stripes in red, yellow, orange, and pale tones, while the central ribbon is solid red and descends to a round golden medal at the bottom. The medal is surrounded by radiating pale lines suggesting a gleam or sunburst and bears a small dark mark near its center. The objects are arranged against a plain cream-colored background within a thin rectangular border.
A dramatic night-sky phenomenon is shown as a broad, pale, arching band stretching from one side of the scene to the other, resembling a great curved serpent or luminous arc. The arc rises high at the center and descends toward both ends, with a darker inner semicircular area beneath it. Behind and around the shape are heavily stippled, irregular masses suggesting clouds or smoky vapors, while a thin horizontal line along the bottom suggests the distant horizon or river surface. No people, animals, or lettering appear within the image.
GOD
A heraldic composition shows a long, narrow red sword or sabre standing vertically, its pointed blade descending toward a golden crown. The weapon has a large curved golden guard and a small rounded pommel at the top. Between the blade and crown floats a gold cross resembling a Maltese cross. Below it is a broad golden royal crown with several pointed, jewel-like projections and pale decorative edging, viewed from above so that its shallow oval interior is visible. The objects are centered against a plain light background with a thin rectangular border and no lettering.
An abstract, symmetrical diagram occupies the upper center of the image. It features a bright yellow circular or spherical form at the middle, surrounded by dark reddish-brown lobes filled with fine crosshatched lines and edged in orange. Several thick yellow and pale cream curved bands loop around and overlap the central form, extending downward into large intersecting oval outlines. The shapes suggest layered or orbital structures, with radiating short dark marks around the yellow center and a small dark semicircular region beneath it. No lettering or labels are visible.
A symbolic, vertically arranged diagram shows a bright yellow circular orb near the top, surrounded by short radiating lines and enclosed by several large, pale looping curves that intersect and sweep outward like orbital paths. Beneath it is a second, larger circular arrangement: a yellow central orb with radiating marks, encircled by a pale inner ring and multiple bold concentric bands in red, orange, yellow, and muted green. The symmetrical composition sits against a plain beige background.
A symmetrical, diagrammatic composition shows a large yellow disk with a heavy black ring at the center, surrounded by pale elliptical orbital bands. Two smaller yellow, radiating disks sit above and below the central body along the vertical axis, while broad black, cream, and reddish concentric arcs form an enclosing outer ring with a gap at the lower right. Beneath the circular diagram is a separate curved horizontal section made of multiple colored strata—red, orange, yellow, gray, and brown—outlined by several thin black lines, suggesting layered material or a cross-section.
A brightly colored curved band arches across the upper portion of the image, composed of broad red, yellow, and pale green stripes like a rainbow. Beneath it is a large pale semicircular dome or mound, with fine radiating lines spreading downward from its base. A rounded horizontal outlined form crosses the lower edge of the dome, containing a large central golden circle flanked by two vertical groups of smaller golden circles. The simple symbolic composition is set against an otherwise plain background, with no people, animals, or lettering visible.
A circular, target-like diagram composed of numerous broad concentric rings in alternating red, orange, yellow, olive, and pale gray tones. The rings surround a central yellow disk filled with dense small reddish-orange speckles and a few irregular darker marks. The bands vary slightly in width and texture, with thin lighter outlines and uneven hand-colored edges, creating a layered radiating pattern. No people, animals, objects, lettering, or other text are visible within the design.
A circular diagram composed of multiple concentric colored rings. At the center is a broad mustard-yellow disk, surrounded by alternating narrow and wide bands of reddish pink, yellow, orange, and pale gray-green. The rings are evenly arranged around the central circle, creating a target-like or layered planetary appearance, with the outermost edge marked by a vivid orange-red rim. No people, animals, objects, labels, or lettering are visible within the figure.
A vertically arranged abstract diagram features three large circular forms stacked along a central axis. Each circle is built from multiple concentric rings in muted red, orange, yellow, green, and gray, with the top and bottom circles containing stippled central disks. The middle circle has a bright yellow center marked by a narrow white vertical oval. Yellow, brushlike flame or beam shapes extend upward from the top circle and downward from the bottom, while fine vertical lines fill the pale background.
A stylized celestial emblem fills the upper portion of a rectangular framed panel. At its center is a large golden-yellow sun, rendered as a solid circular disk surrounded by numerous fine, radiating white or pale rays. Seven large five-pointed white stars are arranged around it in an irregular ring: one above, two across the upper sides, two at mid-level, and two below. The background is muted gray and densely covered with fine horizontal lines, while a narrow dark border encloses the entire composition. No lettering or other figures are visible.
A symmetrical abstract diagram composed of multicolored concentric arcs and curved bands on a pale background. The central area contains a yellow circular disk surrounded by several nested rings in red, orange, yellow, gray, and muted green. A larger surrounding circular band is interrupted or overlaid by four yellow disks positioned at left, right, and near the upper and lower sides of the central arrangement. Additional rainbow-like arc segments appear above and below the main circular design, including two upward-curving forms at the top and a broad downward-curving band at the bottom. No text or lettering is visible.
A brightly colored red-and-yellow crown-like form floats near the upper center, with a rounded open base and numerous tall, narrow spikes radiating upward, each tipped in pale yellow. Beneath it is a broad, sweeping red crescent or arched structure extending across the image, its inner edge lined with many alternating pale yellow and dark pointed projections resembling teeth or serrations. The objects are isolated against a dark, nearly black background within a thin rectangular border, with no people, animals, labels, or other visible text.
A four-part historical battle scene shows large formations of uniformed soldiers advancing in dense ranks along both sides of a broad central corridor. In the upper panels, troops carrying rifles and bayonets march toward one another, their movement suggested by dust clouds beneath their feet. The lower panels depict the opposing forces meeting in combat amid heavy smoke, scattered fallen soldiers, and chaotic masses of infantry. A bold red, jagged vertical band divides the opposing sides and continues through the center of the composition.
A two-panel historical battle scene shows a large group of uniformed soldiers amid smoke and chaos. In the upper panel, several figures fire rifles or aim weapons while others crouch, run, or lie wounded and motionless across rough ground; dense billowing clouds fill the background, with a red triangular banner or signal above them. The lower panel depicts the aftermath, with numerous bodies sprawled across the darkened battlefield beneath an enormous mass of smoke and flames, including scattered rifles, limbs, and other equipment. No lettering is visible.
A symmetrical abstract diagram is shown against a dark, finely patterned background. At the center is a large peach-colored circular disk divided into four roughly equal sections by a thick black vertical bar and a thick black horizontal bar, forming a bold cross. On either side of the disk stand matching tall rectangular panels with narrow vertical bands in pale pink, yellow, greenish yellow, and orange, bordered by light margins. The composition is flat, geometric, and strongly balanced, with no people, animals, or legible text visible.
A symmetrical abstract diagram is set against a dark, stippled background. In the center is a large yellow circular disk divided into four quadrants by thick white vertical and horizontal bars, with dense black halftone shading forming irregular patterns inside the yellow areas. The central vertical bar extends above and below the circle, while the horizontal bar extends to both sides. These side extensions connect to two tall rectangular panels, one on the left and one on the right, each filled with vertical bands of pale gray, pink, orange, and yellow.
A dark rectangular diagram shows two opposing fan- or turbine-like arrangements aligned vertically. Near the top, three orange curved sectors are spaced around a small black circular center. Below them stands a small human figure, facing forward, between the two mechanisms. Beneath the figure is a four-part pale gray or cream rotor surrounding another black central hub; its lower section extends into two thin yellow-green rods or beams angled downward to the right. The image contains no visible labels or lettering.
A symmetrical diagram on a dark, finely textured background shows a long pale vertical shaft rising from the lower center to a broad cross-shaped head. Behind the head is a light circular disk, partially visible above and below the horizontal bar. On either side are matching circular, target-like forms composed of numerous concentric colored rings—red, orange, yellow, green, and dark bands—surrounding pale central circles with stippled black outlines. A small pale protrusion extends from the outer right edge of the right-hand circle; no lettering or labels are visible.
A symmetrical abstract diagram centers on a bright yellow circular disk, lightly outlined and surrounded by faint radiating lines. Four separate, broad curved bands frame it from the top, bottom, left, and right, creating an open, rounded-square arrangement. Each band consists of layered stripes in red, orange, and yellow, with paler reddish edging. The central area is otherwise pale and largely empty, with faint geometric or sketch-like marks extending around the disk.
J K S
A brightly colored abstract diagram shows four circular units arranged around a large central oval loop. Each unit is formed by several concentric rings in red, yellow, green, gray, and brown, with a solid yellow disk near its center surrounded by fine radiating lines. Striped, multicolored bands connect the circles into a continuous looping structure, passing behind and between the upper-left, upper-right, lower-left, and lower-right circular forms. The design fills the image against a plain beige background, with no visible lettering or figures.
A vertically arranged diagram on a dark background shows two abstract, interlocking ring-like forms in pale cream. At the top, two large overlapping circles enclose a yellow disk positioned toward the left circle’s center and partly intersecting the overlap. Between the upper and lower designs is a separate yellow circle divided by a cream horizontal and vertical cross. Below, a second interwoven arrangement of two large overlapping cream circles contains several yellow disks: a large central disk, a smaller disk at the upper junction, and another at the lower-left junction, with cream connecting bands visible through the shapes. No text or lettering appears.
A stylized astronomical and atmospheric diagram fills the vertical panel. Four yellow suns or sun-like disks of different sizes, each surrounded by jagged white rays, are arranged above a small ring-shaped yellow body with a pale center. Along the bottom is a broad, gently arcing multicolored band composed of red, pale gray, yellow, orange, and red layers, resembling a rainbow or stratified atmospheric phenomenon. Fine vertical lines run throughout the muted background, and no people, animals, labels, or other text are visible.
No. 1. As Seen in Choteau, Mont.
No. 2. As Seen in York Harbor, Me.
CALL TO THE CHURCHES.